More on "Soul Plane"

What a piece of crap! "The Mile-High New Millenium Minstrel Show," the Black-version of the film Airplane!

Look how far our people have come:

A Black-owned airline has a terminal at LAX called Terminal Malcolm X which has a auto rim shop, a chicken and waffle restaurant, a 99-cent store, and a basketball court.

The "pilot" Captain Mack (Snoop Dogg, "America's Most Lovable Pimp" according to Rolling Stone magazine) learned to fly a plane in prison along with convict members of the Taliban on flight simulators. He also brought some weed on board the plane. He said to his African co-pilot who put an African music CD in the stereo system: "Turn that bull**** off!" He wanted to replace that "Zimbabwe-ah-wa-wa-wa" with his gangsta rap CD. (I have always said that ghettocentricity does not honor nor recognize Africa. There is no "Motherland." There is only the "Motherhood.") The writers of that script did us no favors. Neither did the director, who was Black.

The plane (Flight NWA 069) itself with its bling-bling wheels and purple paint had 3 classes: First Class, Business Class (maybe), and Low Class. The overhead compartments in Low Class were coin-operated like lockers at airports, train stations, and bus stations. The inside of the plane had advertisements just like in a city bus for a malt liquor. There were even places to stand in Low Class just like on a subway train. I say maybe about Business Class because it had a casino (with hot women) and pole dancers (hotter women). I call that Monkey Business Class. The safety video was shown in Low Class on a very old television that looked like it came from a thrift store. It even needed a piece of aluminum foil for the antenna. The pilots locked the cockpit with numerous locks as if it were in a high crime area. Captain Mack also got high while he was high in the sky. No doubt every FAA rule there was was broken on that plane.

The N-word was liberally sprinkled throughout the film as was the word that rhymes with "other trucker."

This film was in the No Class section.

We are always complaining about media stereotypes of Blacks. This film was absolutely faithful and dedicated to promoting those stereotypes. Why do we tolerate such nonsense?

That film made the old Amo's n' Andy television series look like a work of intellectual genius.

Bring back Good Times, The Jeffersons, and Bill Cosby, please!